![]() Traditional Irish music today is practiced throughout the island of Ireland, the diaspora and overseas by those with no Irish heritage but who have an affinity with this music. While the parameters of traditional Irish music have generally been delineated academically and theoretically, it is understood to be truly defined by its practice. The repertoire of songs and tunes has been added to over time, as have the spaces in which the music is performed. Oral transmission is a defining characteristic of traditional Irish music. The singer and his/her audience set great store on feeling and expression, demonstrated by the skilful use of ornamentation. Interpretation in traditional singing is achieved through feeling and expression in the execution of the melodic line, including the use of ornamentation by choice, and through the effective enunciation and delivery of the lyrics. Traditional singing in English, and amhránaíocht ar an sean-nós, had their origins in solo unaccompanied singing: the singer sang a story, communicating with the listeners through their unique interpretation of both the melody and the lyrics. These tunes do not have lyrics, but they have a functionality, being intrinsically linked with the various types/forms of Irish traditional dance. The combination of tunes and tune type generally referred to as traditional Irish music for instrumental performance/practice ( and as practiced by lilters and whistlers) involves the following: airs, slow airs, harp music, and all tunes and melodies that have a metre and a regular pulse – including clan marches, reels, double/slip/single jigs, hornpipes, set and barn dances, flings, polkas and other tune types such as slides, schottishes and mazurkas. Traditional Irish music is understood to include instrumental and vocal music, the latter embracing traditional singing in the English language and amhránaíocht ar an sean-nós. Social practices, rituals and festive events Throughout the island of Ireland, the diaspora and overseas
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